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Tango
The dance originated in lower-class districts of Buenos Aires. The music derived
from the fusion of various forms of music from Europe and the Cuban rhythm, the
Habanera.[1] Jorge Luis Borges in "El idioma de los argentinos" writes:"Tango
belongs to the Rio de la Plata and it is the son of Uruguayan "milonga"
and grandson of the "habanera". The word Tango seems to have first been
used in connection with the dance in the 1890s. Initially it was just one of the
many dances, but it soon became popular throughout society, as theatres and street
barrel organs spread it from the suburbs to the working-class slums, which were
packed with hundreds of thousands of European immigrants.
In the early years of the twentieth century, dancers and orchestras from Buenos
Aires and Montevideo travelled to Europe, and the first European tango craze took
place in Paris, soon followed by London, Berlin, and other capitals. Towards the
end of 1913 it hit New York in the USA, and Finland. In the USA around 1911 the
name "Tango" was often applied to dances in a 2/4 or 4/4 rhythm such as
the one-step. The term was fashionable and did not indicate that tango steps would
be used in the dance, although they might be. Tango music was sometimes played,
but at a rather fast tempo. Instructors of the period would sometimes refer to this
as a "North American Tango", versus the "Rio de la Plata Tango".
By 1914 more authentic tango stylings were soon developed, along with some variations
like Albert Newman's "Minuet" Tango.
In Argentina, the onset in 1929 of the Great Depression, and restrictions introduced
after the overthrow of the Hipólito Yrigoyen government in 1930 caused Tango to
decline. Its fortunes were reversed as tango again became widely fashionable and
a matter of national pride under the government of Juan Perón. Tango declined again
in the 1950s with economic depression and as the military dictatorships banned public
gatherings, followed by the popularity of Rock and Roll. The dance lived on in smaller
venues until its revival in 1983 following the opening in Paris of the show Tango
Argentino created by Claudio Segovia & Hector Orezzoli. This show made a revolution
worldwide, and people everywhere started taking tango lessons.
In 1990, dancers Miguel Angel Zotto and Milena Plebs founded the "Tango X 2"
Company , generating novel spectacles and that a great current of young people incline
for the dance of the tango, an unusual thing at the time. They created a style that
recovered the traditional tango of the milongas, renewed it and placed it as central
element in its creations, doing an archeological search of the diverse styles of
the tango.
Many shows toured around the world, such as Broadway Musicals Tango Argentino &
Forever Tango, Tango X 2, and Tango Pasion among others. and performed on counts
"4", "1".
Additional Information
Ballroom tango, divided in recent decades into the "International" (English)
and "European" styles, has descended from the tango styles that developed
when the tango first went abroad to Europe and North America. The dance was simplified,
adapted to the preferences of conventional ballroom dancers, and incorporated into
the repertoire used in International Ballroom dance competitions. English Tango
was first codified in October 1922, when it was proposed that it should only be
danced to modern tunes, ideally at 30 bars per minute (i.e. 120 beats per minute
- assuming a 4/4 measure).
Subsequently the English Tango evolved mainly as a highly competitive dance, while
the American Tango evolved as an unjudged social dance with an emphasis on leading
and following skills. This has led to some principal distinctions in basic technique
and style. Nevertheless there are quite a few competitions held in the American
style, and of course mutual borrowing of technique and dance patterns happens all
the time.
Ballroom tangos use different music and styling from Argentine tangos, with more
staccato movements and the characteristic "head snaps". The head snaps
are totally foreign to Argentine and Uruguayan tango, and were introduced in 1934
under the influence of a similar movement in the legs and feet of the Argentine
tango, and the theatrical movements of the pasodoble. This style became very popular
in Germany and was soon introduced to England, one of the first proponents being
Mr Camp. The movements were very popular with spectators.